by George Wachtel

A spectacular use of puppetry, masks, and dramatic effects elevates this stage adaptation of the popular movie to the front ranks of theatrical creativity. Julie Taymor, the director, costume designer and mask/puppet co-designer, has given Disney a breathtaking musical as the first legitimate theatre production to be shown at its magnificently restored New Amsterdam Theatre on 42nd Street. The first twenty minutes are the best I recall in the musical theatre.

The animal puppets are a singular accomplishment. In some, for example, each part of the constructed body is attached to a similar part of its human dancer/driver to create realistic movement which focuses your eyes on the animal instead of the actor. The life-size elephants, ostriches, giraffes, and other African wildlife fill the stage and, occasionally, the aisles.

There are several new songs, but the ones from the movie, mostly by Elton John and Tim Rice, still standout. Samuel E. Wright is strong-nerved and regal as the head of the pride. Another outstanding performer is Thuil Dumakude, who in the role of the monkey, Rafiki, is touching and humorous.

Despite its new trappings and African rhythms, The Lion King remains a typical Disney story at its core where good triumphs over evil.

Ages 6 and up - Youngsters and adults alike will watch in awe as Ms. Taymor's parade of human "animals" march before them.

George A. Wachtel is President of Audience Research & Analysis, a market research firm in New York City which specializes in live, film and visual arts research. He has been taking his daughter, Amanda, to Broadway shows since age two-and-a-half.